Due to unforseen circumstances Cape Town City Ballet regret to inform their loyal public that the performances of Swingtime in the Vineyards and Giselle a the Oude Libertas Amphitheatre will no longer take place. Should anyone have any queries please be in contact via email@example.com
The CAPE TOWN CITY BALLET (CTCB) presents Giselle. This ballet was last performed at the OUDE LIBERTAS Amphitheatre by this company, then known as the CAPAB Ballet Co, in 1984
The leading roles of Giselle and Albrecht will be danced by our stars Laura Bosenberg with Daniel Szybkowski, Kirstel Paterson with Conrad Nusser and Mariette Opperman with Xola Putye
Giselle is a ballet in two acts with a libretto by Jules-Henri Vernoy de Saint-Georges and Theophile Gautier. The music was composed by Adophe Adam, and the original choreography was created by Jean Coralli and Jules Perrot. The librettist took his inspiration from a poem by Heinrich Heine, and the ballet tells the story of a peasant girl named Giselle, whose ghost, after her premature death, protects her lover from the vengeance of a group of evil spirits called Wilis, female spirits who, jilted before their wedding day, rise from their graves at night and seek revenge upon men by dancing them to death.
The ballet was first presented at the Paris Opéra’s Salle le Peletier on 28 June 1841 with Carlotta Grisi as Giselle, Lucien Petipa as Albrecht, and Jean Coralli as Hilarion. In South Africa, the first performance of the ballet was presented in 1947 by the South African National Ballet, previously Cecily Robinson’s Ballet Club, with Alexis Rassine & Olive James in the leading roles.
In 1949, Anton Dolin produced the ballet for the South African National Ballet, who joined forces with the UCT Ballet Co for the occasion. Dolin partnered Alicia Markova, and they danced in Cape Town’s Alhambra Theatre. It was again produced by the UCT Ballet Co in 1955, featuring Alexis Rassine and Nadia Nerina,
The first time the ballet was danced by the newly-formed CAPAB Ballet Co was in 1965. David Poole created his version of the ballet in 1972 in the Nico Malan Opera House, when the leading roles were danced by Phyllis Spira and Eduard Greyling, with Elizabeth Triegaardt as Myrtha, Queen of the Wilis, and John Simons in the pivotal role of Hilarion – a version that was reproduced many times for the CAPAB Ballet Co.
The CAPE TOWN CITY BALLET has performed Poole’s version nine times since 1997, produced by Elizabeth Triegaardt, by kind permission of Owen Murray, who himself danced both Albrecht and Hilarion during his long career with the CAPAB Ballet Co. Giselle is an audience favourite and many will remember the other partnerships of Olga Twell with Keith Maidwell, Carol Kinsey with Johan Jooste, Nicolette Loxtonwith Philip Boyd, Tracy Li with Daniel Rajna, Marianne Bauer with Johnny Bovang and Keith Mackintosh with both Linda Smit and Clare Shepherd-Wilson.
The art of dance is musical, visual, technical and interpretive, and these qualities come strongly to the fore when dancing a role such as Giselle, Albrecht, or any of the supporting roles in the ballet.
When it comes to the corps de ballet, the choreography demands that each dancer is totally in sync with the music – not an easy task. The CTCB’s corps is recognised as being of world class and will again transport the audiences in the second act to the eerie and evil world of the Wilis.